Feb 10 |
I See You Films - Childs PlayNo comments · Posted by Cinti Laird |
I See You Films on keeping childhood child's play!
What activities have you personally planned to share with children in your community this summer? It still takes a village to raise a child. Volunteerism, religious and community center participation is key! It all starts with you.
With the current focus on bullying, childhood suicide and accelerated numbers of school shootings, I've turned my attention to something positive that I've been doing for years. As an Arts-In-Education Teaching Artist, I've been teaching children acting, incorporating anti-bullying tactics into my programming to make learning fun. The fruits of my labors have resulted in the release of the I See You Films Arts-In-Education Series. It is a series of 6 to 12 weeks of lesson plans for children aged 6 – 12; with teens 13 and older being incorporated into leadership roles under adult supervision. This I See You Films Arts-In-Education Series is designed to make learning fun, while developing patterns of civility, mutual respect, enhanced written, verbal and performance communication skills. If you are completing 8 to 12 weeks of the program you can deliver a polished live or filmed presentation of the performance script, which is a part of the programs activities. Even plan a public performance or screening and charge admission to gain more community support.
A shortened 6 week version of the program could do likewise, when meeting consistently for a minimum of 2 hours five days a week. It takes a minimum of 30 days with consecutive consistency to replace unwanted behavior patterns with positive reinforcement. That is why it is not recommended to accelerate the program into anything less than 6 weeks. If you do so, you risk loss of the value, purpose and integrity of the I See You Films Series. Your commitment of time, attention to detail, and positive energy is what will help children thrive and they are well worth the effort. You will personally provide them with positive tools for a lifetime of fruitful growth in one summer. Yes you can!
The series is available on-line at Http://ISeeYouFilms.ws. It includes lessons, games, activities, a short film, music, and a professionally developed humorous performance script for a nominal fee per download. For best results the program should be administered to no more than 12 students ages 6-12 by an adult with two polite teenagers who will learn while they assist as acting/directing/producing interns. Participating adults should have great patience, love children and enjoy working with them. Remember if you are not having fun, neither are they. Growing pains are expected during the first two weeks of getting to know each other. This is not a “job” for a babysitter. It is intended to create a method for parents, grandparents, siblings, friends, retirees, volunteers who want to spend quality time with children, instilling great values, learning something new themselves, and assisting in the growth, development, character, humility, and communication skills of children in their community. Your great leadership is helping to make mutual respect and integrity popular again, while setting a solid example of what it takes to be involved in community development. One gives up precious time to add quality.
Children who can confidently express themselves are less likely to be bullied, join gangs or to engage in bullying. Helping them to develop self confidence and mutual respect for others at an early age through the crafts of acting, writing, producing and directing are the methods that have worked for me as an entertainment professional. I've diligently taken careful time to break down these lessons so that you do not need a New York University or University of Southern California film, television or theater degree to enjoy the fruits of my labors at a very low cost with a consistently planned schedule. I See You Films Series, Episode I is immediately available and completely downloadable here Http://ISeeyoufilms.ws
Please post your comments with us as you utilize the program or telephone the number included to give us your feedback and ask questions. Have some fun in the sun with the children in your community, increase their communication skills and put a dent in bullying at the same time. It's called I See You, because with school shootings from Columbine to Newtown; with children as young as 7 years old committing suicide to escape bullying, I see that our children are hurting and want to meet them in their place of need. Before any similar disaster hits home, won't you join me in implementing these simple, fun, preventative measures of positive reinforcement in your own community? One child who would rather die than face another day of being bullied by their peers is one child too many. Childhood should be child's play, I See You Films aims to keep it that way.
Cinti Laird, is an actress, public speaker and published journalist. Appearing in numerous films, television shows and live theater presentations Cinti is available for public speaking engagements in your local area. A graduate of the New York University Tisch School of Arts, Ms. Laird has written plays, film scripts and developed television programming. Visit the website for more information telephone (213) 928-6820 or email Info@Iseeyoufilms.ws
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Mar 09 |
Survival JobNo comments · Posted by Cinti Laird |
Many moons ago when I was an actress starting out, getting work as a Background Actor on film sets and in television studios were the most desirable survival jobs a new actor could get. One could develop set etiquette working with lighting directors, hair, make-up and wardrobe designers, take direction and keep skills fresh until the real thing came along.
Nowadays recent university graduates have to be more creative about survival jobs. The popularity of cooking shows has even cut into an actors ability to secure the top wait staff positions at highly desirable restaurants. The internet offers some interesting options. Some actors do great in sales on Amazon or E-bey and still have flexible schedules to attend auditions or accept jobs in non-paid workshops. Other actors are utilizing crowd sourcing platforms to raise capital for film making or live stage shows.
Your options have actually increased, with so many companies offering on-line affiliate sales opportunities. Maybe you knit or build websites? Dust off those skills you haven't used in a while and tap into internet marketing. Who knows? You may finance your own film with the profits from your other creative strengths.
William Shatner of Star Trek fame is always reinventing himself and introduces a free to try it before you buy it internet money making option on his series "Moving America Forward". Take a look: William Shatner - Moving America Forward
Mood: | Sunny Days! | Music: | Location: |
Jan 01 |
Busy Filling In The Blanks.No comments · Posted by Cinti Laird |
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Nov 30 |
Actors Helpful Holiday GoodiesNo comments · Posted by Cinti Laird |
Mood: | Excellent | Music: | Holiday | Location: | United States |
Aug 08 |
Actors Add PR To AgendaNo comments · Posted by Cinti Laird |
As a performance professional, I've always known about marketing, public relations and advertising due to shows that I was either performing in or producing. I knew that the publicity budget needed to be at least 4 to 6 times that of the actual operating budget in order for a show to sustain itself. What I did not know is what elevates careers and how to breed it. Popularity! What breeds popularity? Familiarity! As a producer with little or no clout, I was thrilled when a performer was so popular that their guests alone filled a house. I was more thrilled when the performer was so well connected that their involvement would draw press attention to the work. Most impressive was if their minor role won over the press with glowing career elevating reviews, while stars got minimal attention. It began to dawn on me that it takes more than fabulous head shots, superior training and great talent to make a career!
What I did not know was that the actors' popularity was not just due to friends and relations. The actor played an active role in this success by hiring on Public Relations. Nobody knew that the PR Rep was not just a friend. However the PR Rep had a duty to the client and was on a mission to get the client reviewed. It is all so clear to me now that the reviewer was on-site as a result of the PR Rep, for the express purpose of reviewing the client. The client turned out to be – the actor with the minor role who got major press. This is only one example of why it pays to hire a public relations firm.Http://yprs00.wix.com/yprsolutions is now offering special rates for actors on a test market basis. Wherever you are in the world, this company can increase your local and global popularity for less than the cost of head shots.
Again as a producer of cabaret, in my early years I spent so much money on paying musicians, private voice training, rehearsal halls, sheet music, transportation, wardrobe, props, patter coach, director, printing for post cards, fliers, plus wining and dining people I only hoped would come to my show and bring friends. There was never a way recoup a dime from a cabaret show – only the hope of getting a good review to elevate me to the next level was a lingering prayer on my breath. What I did not know, again, and I was not writing for the local papers at that time, was that those who got reviews cultivated relationships with the press and hired press agents. With sold out performances, the only thing I got from my cabaret days besides better at it, was provisional entry into British Equity because a friend urged me to take my old singing contracts along with me. I'd found them and thought to throw them out when my British buddy said, “No, don't toss them – bring them with.” Who knew that if I'd had a press agent I might have had a review to bring with too!
In the interim between theater, cabaret, film, television and London, I met a publisher of a local Manhattan based newspaper at a playwrights retreat. Conversations with him reminded us both that I'd been an editor and writer on award winning newsletters. The woman I wrote for owned a local paper and had been a WWII shero reporting the news. She was tough on her staff and demanded high standards.
Back in New York after this News Editor had a chance to read some of my writings he invited me to write for his paper. After a few months my articles began appearing on the front page of that newspaper and the editor wanted to have a conversation. He sat me down to suggest that I did not have to limit my articles to the one paper. “Why don't you take your articles around and see if any of the other publishers are interested in printing them? It would be another source of income.” Well, starving actor that I literally was, additional sources of income were more than welcome. Especially now, while I was on hiatus finishing a play. My news stories were actually about friends and neighbors who were local celebrities – so yes, there was interest. Before I knew it one of my stories was front page news on several other papers around town. During the same period I'd been hired on a consultancy basis at one of the worlds top public relations firms which increased my skill set and helped to accommodate my trips abroad.
In May of 2013, as a result of my work developing music reality options, I decided to offer performers and musicians an opportunity to test out my Public Relations skills. A gift for my birth month to whomever, wherever that wanted to test the importance of having a public relations press representative. Those who took me up on it found that their shows SOLD OUT.
Well honestly, it was a test to bring about awareness, and offer career boosters in the spirit of community. I didn't really know what would become of it then. However, I realized that when my own shows take off they will rely heavily on press. Might as well start now. Heaven knows that once we get underway we will always be busy – posting – blogging – editing – daily tweets, comments and press releases.
So, you want to be an actor? Take the test, invest in your career above and beyond studies, a great wardrobe, agent and head shots. Actors, add PR to your agenda, get popular, expand your network, get results. Request our special limited opportunity introductory rate for performers - know what to ask for.
Http://yprs00.wix.com/yprsolutions
(213) 928-6820 or (631) 604-0006
CLPinc. is a production development company with film, television, theater, drama, comedy plus a variety of music reality shows in it's portfolio, a property of Actress/Writer/Director Cinti Laird. CLPinc. Public Relations is it's latest subsidiary. Http://yprs00.wix.com/yprsolutions
Mood: | Mellow | Music: | Calm | Location: | United States |
Jun 02 |
Summer ChopsNo comments · Posted by Cinti Laird |
No, I am not talking about pork chops or lamb chops, which no doubt can be quite delicious off the barbeque grill. Summer is here and while some of us who have not been lucky enough to land a summer acting gig, can spend time at the beach or on a boat; our acting chops need to be maintained. In preparation for the next job, classes are a great option; however, watching and listening can be just as valuable a lesson.
If you happen to be in New York City, check out that royal gem inherited by all from Joseph Papp whose Public Theater still produces "Free" Shakespeare in the Park. I recall years ago having to wrestle my young nephew away from an afternoon aboard the Intrepid Air Space Museum. I literally had to drag him kicking and screaming off the retired war ship, to Central Park to see Twelfth Night with Gregory Hines and the newly famous Michelle Pfeiffer.
It was hilarious! So enchanted was my nephew, so entertained was this little boy, that he found himself apologizing to me. He expressed that, if he had known what he might have missed, he would not have resisted leaving the museum. Yet, he reluctantly recalled how much I had insisted that he would not want to miss this show.
We had so much fun watching it that this review stunned me. Shakespeare In The Park
It just goes to show, one can not be swayed by a review or a particular reviewer because their opinion and yours are often influenced by very different factors.
I say all of this to impress upon you, if you have not been lucky enough to land a summer stock position or a film - that watching, listening, observing others perform their craft is valuable. Yes, it is as urgent to an actors growth as it is to the development of theater appreciation in future audience members, like my nephew. If there is no Shakespeare In The Park in your neck of the woods, there is nothing stopping you from creating your own.
Shakespearian plays do not require any permissions nor royalty to produce. This is true owing to the fact that Sir William Shakespeare scripted plays during a time, when I am not even sure if copyright law existed. His works are in the public domain. Finances are also a factor, so take away the costs. Put it under a tree in your local park or square, invite others to bring a lunch and participate. It could be a round table or circle on the grass, in the readers theater tradition. It does not have to be Shakespeare at all, but whatever you like. There is no fee associated with reading a play out loud in a public forum of friends - on the beach, on the deck, at a barbeque!
What is the harm in this? Well, you just might have some fun, inspire new audience and polish your chops at the same time. Damaging indeed!
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Apr 15 |
Reality TelevisionNo comments · Posted by Cinti Laird |
May as well face it, Reality Television is here to stay in one form or another. Yes, thespians have been resisting "Reality Television" heavily. However some popular singers, models, dancers, athletes, and businessmen like The Donald, have created a regular pay day and public relations tool out of Reality Television.
It is natural for the trained actor to resist something that can be seen as a possible threat to the status quo as far as livelyhood is concerned. Afterall didn't some stage actors resist film as much as silent screen actors resisted talkies? They came anyway. Didn't film actors resist the little box called television? It came anyway. Didn't television resist cable television? That new runaway industry cutting heavily into it's audience revenue share? Didn't they all resist the "Free Flowing Internet?" Well, Netflix didn't and is realizing a major payday - not to be outdone by former royalty of Network daytime televison programming, Soap Operas which have now turned to the internet.
All I am saying is, resist change as much as you wish - change is coming and the time for Reality TV is now. There will be some nice hosting positions comparable to similar jobs on network television and already some acting jobs like the soaps are being made to go directly to Internet. Internet is the next big thing. It all translates into more opportunities for actors to work and to get paid. I believe that SAG-AFTRA have been working out "New Media" contracts to accommodate this trend. Check with your local office for updated facts.
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Feb 02 |
Happy Valentine's Day ThespianNo comments · Posted by Cinti Laird |
Welcome to the height of the USA television pilot season, Regional Theater Auditions and the now bi-monthly postings of my "So You Want To Be An Actor" blog. Not to worry because if you are diligent about the business of acting you know that the tools and information I provide here are life supplies which can never be fully implemented in a month. You will need to refer to them time and time again. Visit the archives frequently.
As for pilot season keep on top of whats new by frequently visiting Sagaftra.org if it is work you wish to find either union or non-union. When it comes to principal contracts that pay appropriately and or are tracked to pay appropriately, if it ever grosses any profit, you want to have worked under a Sag-Aftra signatory. This goes not only for the film or television contract but also be certain that the talent agency representing you is a true Sag-Aftra signatory no matter if you are union or non-union. Being non-union does not dictate that one must settle for less. It merely means that one must make wise choices in order to avoid the pitfalls of being taken advantage of. None of us were born into the actors unions - for me it came as a result of very hard work pre-dating the current voucher system.
Sag-Aftra posts on their website a list of all films and television shows currently in production that have entered agreements for actor protection. They also list the casting directors approved to hire for those shows, When in doubt check the website or telephone either your local Sag-Aftra office or the Los Angeles office. The same casting directors hire union and non-union for these films and television shows.
As for your regional theater auditions you have better odds of working in your area as a local hire if you visit your local theater, get to know the producers and familiarize them with your work. When their season includes a role that is right for you ask to be seen for it. Otherwise check Actorsequity.org/castingcall daily for new auditions. Crash the Equity Audition if you are non-union, but be prepared to wait as long as it takes to be seen - so don't do this unless you have the entire day free to wait. Often theaters host a separate day of auditions for non-umion actors - ask.
Now you have a lot of information to get you through the pilot and regional theater audition season. However, if you want acting lessons or some direction with your scenes and mologues look me up. Directing and teaching are a great part of preparing actors and I have plenty of experience doing that. (213) 928-6820 Presently available for New York based actors.
By the way, if you tuned into the last episode of 30 Rock on January 31, 2013, you saw and heard me in action singing with the KMK Union Gospel Choir as part of the Alec Baldwin characters' memories. We were in grand company with out little clip as we were the only non-celebrity guests artists in that final episode and it was great fun!
Cinti Laird
Mood: | Hungry | Music: | Mellow | Location: | United States |
Dec 24 |
Merry ChristmasNo comments · Posted by Cinti Laird |
Merry Christmas. Pilot season is here and it is time for actors to review publication subscriptions on-line and off, to determine which were most beneficial and should be renewed. It is also important to determine where we wasted monies that can be used for something else. For instance, my hair is longer so I will need new pictures. Cancelling unnecessary subscriptions can reallocate some funds for pictures.
Academy Players Directory
Advertising Age
AdWeek
American Theater Magazine
Box Office Magazine
Director Guild of America Magazine
Emmy Magazine
www.filmandvideomagazine.com
www.updatemag.tv
Regional Theater Guide
Young Biz Kidz Magazine
Yes, we absolutely can not do without some of these publications. No one has time to read them all or respond to all of the information, which leaves room to trim the fat - so to speak. Figure out what you can live without. If you are in the unions your union distributes an up to date signatory Agents and Agency listing monthly so you might note I left off some agency publications. Download the SAG-AFTRA listing that you dues help to keep up to date. Find your theater auditons on the Actors Equity website - almost all legit theater auditions in all regions are listed there. Of course you have to be diligent and check it daily to be certain not to miss an important auditon. If you have an agent it does not mean that you will automatically get an auditon. It all depends upon the relationship your agent or agency has with the casting director working on the project. This is one reason why you still have to stay on top of things yourself, even when you have an agent.
Take some time to review each link. Each publication has something unique to offer, but only you can decide which ones work best for your specific career path. This list will remain on this site for you to visit as often as you wish. May it help you in some way to prosper in the coming year!
Happy New Year 2013
Cinti Laird, So You Want To Be An Actor - Blogger supply free and useful information to on-line actors everywhere.
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Nov 28 |
Take InventoryNo comments · Posted by Cinti Laird |
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Oct 18 |
Getting Healthy!No comments · Posted by Cinti Laird |
Sometimes as a performer, an actor just wants to jump into a roll, start peeling back the layers, learn all about the character and hit the ground running. "Stuff" can get in the way. It's fall season and children are back at school. Colds, flu, coughing, running noses, sneezing, allergies. The dog likes the script better than you do just because it's taking focus off of him - seems like a good idea for Chewy to chomp on it. To stably combat these issues, an actor must get healthy, mentally, emotionally, physically and professionally. When you are healthy, dealing with "stuff" is far less stressful.
How healthy are you right now? Did you get that flu shot? If you catch cold will it linger more than a week? Is you weight good for your height. What about your professional state of mind? If you don't hear from the casting direct or agent after an audition do you spend days agonizing about it or do you move on to focus on something new, like getting the next audition?
How healthy are your professional actor tools? Your treasure chest of monologues for instance? If I were to telephone right now inviting you to show a few monologues as a screening process before being invited to screen test for a major motion picture; could you show 3 very different monologues that are absolutely right for you, that show depth of character, creative interpretation and sets you apart from others in your general category? If not, there is some work to be done to make this section of your professional portfolio healthy. Maybe you want to sign up for a few one-on-one sessions,
What ever it takes, an actor needs to get and stay healthy because your product is you. If you are run down, out of shape, or ill to the point of not being able to deliver you - the work can not be done.
The same as your physical body needs a regular work out, your mental, physical and emotional self requires regularly scheduled attention to meet the challenges that get you where you want to go. So, it might just be necessary to take some inventory and some time to get healthy in all of the areas where only you know for sure that you might need some personal attention. Getting and staying healthy is central to your mission if you want to be an actor. Take care of your number one product - you!
Mood: | mellow | Music: | smooth | Location: | United States |
Sep 02 |
Acting as a Second CareerNo comments · Posted by Cinti Laird |
Announcing The Working Actor Show Business Workshop
Fall 2012 Saturday Beginning Actors Workshop 101:
Acting as a Second Career or a Hobby
The ten week workshop, beginning on Saturday morning September 22 through Saturday December 15, 2012 will introduce film, television, and theater technique; comedy, drama and commercial copy. This introductory workshop is designed to give new actors an overall view of the different types of acting and the skills necessary to excel in each area. It will test and develop performance skills while challenging reliability. In the ten week introductory sessions, actors will explore finding appropriate monologues, working with scenes and scene partners, taking direction, working with cold copy, developing stage and on-camera technique.
WHO SHOULD PARTICIPATE?
It is a workshop for beginners. If you have worked in community theater but have not studied or worked professionally, you qualify for these sessions. If you have never acted before, earned your living in another field and want to explore acting as a second career, these sessions are for you. Individuals who have not worked as a principal player on stage nor on screen, this workshop is for you. All of the basics of getting started in your acting career will be touched on. Background actors who desire work as a principal actors but have no acting training, will find this workshop beneficial.
Participants can sign up on-line using a credit card Mastercard, Visa, Discover or American Express through PayPal with or without their own Paypal account. If you have a Paypal account or any other on-line bank (Chase, Citi etc) you can make you payment to the e-mail address direct to: ActorsWorkshop101@Iseeyoufilms.ws. Limited spaces are available and Paypal will no longer accept payments once the workshop is full. The 10am Saturday morning sessions in Midtown Manhattan have an introductory cost of 300 per person for the 10 week workshops. (Discounted for you today - because you read this blog. See video)..
Cinti Laird is an actress, writer, director, a producer of theater and film. She has been featured in films by directors Alan Alda, Joel Schumacher, Mario Van Peebles and Louis Massiah. She has worked in sit-coms under the direction of Paul Feig, Steve Buscemi, Seith Mann and Linda Wallem. Cinti has worked in production under director Ron Howard and many others as a part of the production team on the original Law and Order. She has written, directed and produced Off Broadway theater and films. A New York University, Tisch School of Arts Alumni, Cinti Laird has taught acting as a teaching artist in New York City Public Schools, acting for television for years at the American Federation of Radio And Television Artists Stanley Green Audio Video Facility, apprenticed in musical theater: (1) with the late Rosetta LeNoire (AMAS), apprenticed in dramatic theater with: (2) Judy Jourdan (Van Damn), (3) Lynne Thigpen, Austin Pendleton and Milin Stitt (Circle Rep) created and produced the live weekly reality comedy variety show, Cinti's Comedy Pageant in Manhattan clubs crowing a Comic of the Year for two consecutive years. For more detailed information join Ms. Laird on Imdb.com, Facebook, Twitter, MySpace, and CintiLaird.ws
Workshop Location: Midtown West Manhattan, Theater District NYC
RSVP TODAY - Space is limited and Paypal will stop accepting payments when all spots are filled. Since this is a beginning workshop for all levels of new actors no audition is required. The option is to expose new actors to what is available, get them acclimated with relaxation exercises, preparation and execution of scenes, monologues, cold copy and commercial copy as well as an introduction to the business side of acting. This is a New York based project, but we serve a global community, and want to help you get prepared for pilot season 2013, hence the 213 area code.
Please direct payments and all inquiries to:
ActingWorkshop101@Iseeyoufilms.ws or telephone: (213) 928-6820
This special discounted rate is just for you to reward readers of this blog, It ends on September 11, so pay now to RSVP and benefit. Watch the video an learn how to get an additional discount.
Mood: | Happy | Music: | Mellow | Location: |
Aug 28 |
Seasons ChangeNo comments · Posted by Cinti Laird |
Seasons change, winter, spring, summer, fall. Metaphorically for actors, seasons change as well. There is a time to prepare, a time to audition, a time to perform and time to teach but always there is a time to learn - a time to share.
Change is a strong part of the reason why some people become actors. They love the changing circumstances of their lives that revolve around securing and interpreting different roles; becoming characters on stage and screen whom they would not dare to emulate in their personal lives.
If you want to be an actor really, your life will consist of extensive study and application. For each role that you are fortunate enough to take on you will need to do a character study in order to develop a full life. Sometimes an author will have brilliantly mapped out all of the historical details that build the character and other times it will be left to your imagination. Once you figure it out you will need to work though it all incorporating behaviors and thought processes to form a life and walk around in it naturally, comfortably.
The best place for a beginning actor to develop these skills is in a classroom. Many new beginner classes will start in the fall. It is a great time to change your focus and really get involved with building the foundation to an exciting career.
Cinti Laird Offers Business Strategies for Actors with the Show Business Workshops. Small classes and private coaching is available.
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Jul 20 |
Saying NO to an audition.No comments · Posted by Cinti Laird |
Sometimes an actor can want something so bad, an opportunity, a "chance of a lifetime" that we do not understand when it is in our best interest to simply let that "chance" just pass us buy. If you live another day, there will be another audition another something just right for your type - someday.
For example, I wanted so much to audition for a Broadway Musical, which posted a character description perfect for me. The age range, depth of character, even the musical vocal range and belt, I can do that. I must be seen.
Meanwhile, at the same time, I've been experiencing horrible allergic reactions to the mold and mushrooms which have been blossoming in my bathroom a result of the ongoing harassment from my landlord. My voice is literally shot to hell and not coming back while that fungus is having a garden party in my bathroom. My day in court takes place 4 days after the audition. Yet, I must be seen. I run over to the Actors Equity Audition audition early in the morning to sign up, taking the last possible spot of the day. I've been vocalizing trying to lift some of the gook from my lungs days prior, to no avail.
My plan is to spend the day working my voice up. Only my voice was not managing the songs I've been accused of belting out like Ethel Merman, not holding up in any manner as a steady flow of mucus fills the internal cavities of my head neck, lungs and throat. Hope against hope, I worked at it as if by some miracle the symptoms would leave me before the appointed hour, allowing me to hear properly, process clearly and belt - where now still there was but a screech.
As fate would have it, I panicked, and switched to an easier song just prior to going into the audition...Another wrong move. I was out of breath, suffering visibly and obviously as even the slightest movement under the influence of fungus takes my entire breath away. No matter I'm pumped full of steroids. Nothing doing to combat a singers worst nightmare.
I'd kept my appointment but announced to the casting that "I have no voice, so I've selected a song" ... not in line with anything they desired to hear from me today - which I delivered poorly.
I've illustrated this mishap in order that you might avoid it. It is important to know when you must say NO to an audition and save your reputation at times when the mind is willing but the body is not. It would have been best for me to miss the audition and request an audition from the Casting Director at a time when my voice had fully recovered and the fungus was gone especially in light of the fact that no date has be actually set for the opening of this show, no theater rented.
As fate would have it I did well in my court case and now, 7 days after the audition the fungus has been removed and my lungs are in recovery... I even hit a high A today when I couldn't do it a week ago. Better already.
Excuse me folks there is a Casting Director I must make amends with for causing such and ugly scene of an audition. I will catch up with you next month or maybe even later this month. Remember, it is as important to know when to say NO to an audition so that you do not create unnecessary strikes against yourself. Now I must redeem myself while had I just not gone I would not have a chance at the job but I'd not have ruined any first impressions a new Casting Director might form from meeting me for the first time either. Hope this helps...
Cinti
Mood: | Sleepy | Music: | Mellow | Location: |
Jun 17 |
Be Seen By Casting DirectorsNo comments · Posted by Cinti Laird |
It is important for an actor to have their work be seen by casting directors in order to be considered for the available acting jobs. There are numerous methods by which an actor might capture the attention of influential casting directors.
1- A most common introduction is when an actor, upon completion of an acting program or workshop, is featured in an actors showcase by an educational institution or notable individual in front of an audience of invited guests that includes casting directors.
2- The second general option is for a casting director to attend a show or film screening and be impressed by the performances.
3-The traditional way to get the attention of casting directors is to mail a picture-resume along with an introductory letter and follow-up frequently with post card mailings to keep your face and work record in front of the casting director.
4- Professional stage actors who are members of Actors Equity Association, have the added option of attending as many appropriate auditions at the union hall as often as one can to audition directly in front of the casting directors who actually attend calls or their charming assistants.
5- Finally, there is the "Pay to Play" method which is the most available option for the actor with a substantial budget. The Pay To Play method books casting directors and agents onto a schedule for pay in turn for which they will watch an actor deliver a monologue or a song and sometimes even "critique" the actors work for that fee. There are some rules of ethics which come into play here and the Casting Society of American can fill you in on exactly what those rules of ethics are and how soon after a "Pay to Play" session, a casting director can legally call you in to be considered for a contract job.
What ever combination of these methods gets your work seen by casting directors, the objective is the same. Actors want casting directors to like their work enough to be inspired to recommendation it to others who can help to further their acting careers. That is the bottom line. While some of the pay to play methods are cost effective others are outrageously expensive.
That said, an actor should be responsible to investigate and carry out some due diligence prior to taking on any financial risk, just like any other investor. Figure out who is actively casting and what types of projects they have done previously.
For film, television and radio: Http://Sagaftra.com
For theater: Http://ActorsEquity.org
Then rely on your industry trades both on-line and off as well as archives.
Http://Imdb.com (International Movie Database)
Http://talkingbroadway.com (Talkin' Broadway)
Cinti Laird is an actress, who writes, creates content, produces and directs a variety shows of shows for stage and screen. A New York University Tisch School of Arts Alumni, Ms. Laird coaches actors privately and in semi-private small groups by arrangement.
Http://cintilaird.ws/Show_Business_Wkshp_
Cinti Laird also offers a wealth of information in this monthly column "So, You Want To Be An Actor?" on her blog. Http://cintilaird.ws/SoYouWantToBeAnActor
If you follow any of the suggestions in this blog, please come back and post a comment to let us know how things are going.
Mood: | Happy | Music: | Melodic | Location: | United States |
May 25 |
SAGAFTRA.Org/events & DailiesNo comments · Posted by Cinti Laird |
It's a bit of an expensive weekend, which is why advance notice would have been helpful. That's my fault, while I did visit sagaftra.org, I failed to read everything. Hand I read it soon enough I could have applied in time to get a substantial sagaftra affiliate discount and saved my pennies. For those of you not counting your pennies, hop on it. Come back here and tell me all about it and if you made any helpful connects, better yet take me along!
Actors should visit www.actorsequity.org and www.sagaftra.org as frequently as business people read the Wall Street Journal. I'd bet that they read it daily along with the London Financial Times and a few other goodies. We have Imdb.com, Variety.com and HollywoodReporter.com so eat em' up my acting family. Learn what's happening and who is doing it long before the casting notices are sent out. Get the jump on your career - and do something about it - everyday! You will need to spend substantial time on the internet so invest in a soft cushion... That last tip was free...
Happy Memorial Day Weekend Friends!
Cinti
Mood: | Happy | Music: | Mellow | Location: |
May 11 |
SAGAFTRA.ORG A MergerNo comments · Posted by Cinti Laird |
Let's Talk Union
First of all, please accept my apology for not a posting for the month of April. It got so busy that it slipped away from me. My intention is to post at least one useful tidbit a month. I will post two during the month of May to make up for it and ask your forgiveness and understanding.
We had a lot going on with the unions between March and April. The Screen Actors Guild EEOC participated in the NFL Filmmakers Bootcamp, and the Screen Actors Guild voted to merge with the American Federation of Radio and Television Artists. I am a member of both unions so the merger does not affect my standing in either union. As a mater of fact while, I have been serving on the Screen Actors Guild National EEOC committee, AFTRA is my parent union. The way I look at it, if you serve one union you serve all. I am new to EEOC and am not sure how things will configure as we iron out merger committee details, but I will keep you posted.
Merger talks began and before we knew it, we voted and now we are officially one union. We are ONE - it's like a marriage. How will that effect you? If prior to the vote you were in SAG but not AFTRA, now you are in both. If you were only in AFTRA before the vote you are now in both. The new union SAG-AFTRA, covers actors, singers and journalists working under television, film, internet, radio, music video, new media and (*new content rich devices are invented rapidly these days) voice over contracts. One primary order of business is to streamline contracts to meet the needs of our membership in all areas covered by SAG-AFTRA.
You will want to be sure to have any contracts you are presented with for agency, management representation or work in any media platform reviewed by a union representative before signing on the dotted line. Print and stage are the only areas not covered by SAG-AFTRA. There maybe a little grey area in print, if the still is actually taken from a film or television commercial. Your union is there for you, so let them see what you are up to before you make a mistake like, for example signing on with non-franchised agency.
Now, only stage actors need seek a separate union, and that is Actors Equity Association. Print and fashion models are still with modeling agencies like Eileen Ford.
If you haven't heard,
On May 19-20, the SAG-AFTRA National Board will consider a unanimous recommendation by the Executive Committee to implement a Do Not Work notice against music video productions.
It seems that the music video area requires some looking into. If you are slated to appear in one, check in with SAG-AFTRA before stepping in front of the camera.
The first ever Membership meeting of the New York Local SAG-AFTRA is scheduled for:
Monday, May 14, 2012 at 5:30pm at the Directors Guild of America Theater 110 West 57th Street. No bags larger than 14 inches will be permitted, no food or drink. Your union card, paid up through April 30, 2012 represents your admission. Doors open at 5pm.
These are my tidbits for today. Congratulations fellow actors, SAG-AFTRA is finally a fact! May we live long and prosper, plus secure better working conditions that lead to better living conditions for our membership families.
Check Http://www.sagaftra.org/events for the first membership meeting in your local area as well as all other SAG-AFTRA Union Business.
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Mar 13 |
AuditionsNo comments · Posted by Cinti Laird |
The Audition Process
The audition process is different for every individual. What you do to prepare for it is key. In February, I had two very important auditions. One for a major motion picture and one for a Broadway show.
Needless to say, focus and concentration are the most important elements when it comes to giving your best performance. So, what you do - or don't do and what the actors waiting all around you do or don't do can pull your focus. I was standing in the line waiting for my chance to audition for a Broadway show just minutes away from my audition, when the actor behind me was just getting on my last nerve.
I was trying to read my lines and hear myself read in a whisper while he was reading, in the line at full voice. I removed myself from the line and found a quieter place to prepare for this cold reading. Stage actors get the sides just a few minutes before the audition. 20 minutes before according to the Actors Equity Rule Book. So, in preparation, every moment counts. I was able to focus and collect myself in the few minutes that followed before my audition and received a lovely compliment from the casting director.
After our audition I had the chance to walk and talk with the fellow who had earlier been a point of contention. He was actually very nice. It just goes to show how frayed nerves can be just before an important audition and how very relaxed one can be almost instantly, after the deed is done.
We must all, as actors learn who we are and how best to calm ourselves in the midst of confusion in order to focus on putting forth our best possible performance. We don't always have an environment that allows us to lie down on the floor and close our eyes to get centered. So sometimes we must, in the midst of chaos find the center within ourselves. Happy auditions. We are right now at the height of the regional and stock theater audition season, not to mention next summer 2013's block buster films, so have fun and break a leg!
Mood: | Music: | Http://CintiLaird.ws | Location: |
Feb 05 |
An Actor PreparesNo comments · Posted by Cinti Laird |
An Actor Prepares
by Cinti Laird
An actor, who is not performing is always in preparation to perform. Subconciously, we watch the behavior of interesting personalities. We listen intently to various dialects and speech impediments. An unusual walk, mannerisim, a sly grin; all are subject to possibly appearing in the life of a character one is taxed with creating a life around when an audition is finally won; and making the performance uniquely and believably brilliant. So we prepare, in classrooms, at bus stations, in grocery stores and in rehearsal halls all over town.
We prepare for an audition by reading the script in advance and preparing monologues or songs for similar characters if the reading of sides do not apply. We prepare by losing or gaining weight, studying medicine so that we can at least prounce medical terms correctly and to understand the job of the Physician we've been cast to portray. We prepare because it is invariably always the actor most prepared to meet the challenge who is cast to play the part. At least that is what we want to believe. However we know all too well that casting is subjective. Yet we want to be prepared just in case today is the day that we get cast in the job!
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Dec 27 |
1 to 100 That's the Ratio..No comments · Posted by Cinti Laird |
When I set out to become an actress some years ago, I was told that it is not wise to dwell on an audition; to go over and over it in your head after the fact trying to figure out what you could have done different, what you might have done better. It's over, move on. Move on because the ratio that an actor will land a role is about 1 out of 100. That's the ratio and those are the odds. So move on and get that next audition, put all of that energy into making it as good as it can be and then get the next audition and do the same. If you book more than 1 out of 100 auditions, you are doing far and away better than the odds.
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